Aggressive and threatening language

Aggressive and threatening language Essay Pip and Magwitch are the most mysterious and strange quasi family in the novel. They are connected but without either knowing for the most part. Its coincidental that the father of the woman loved by Pip is his benefactor, however a benefactor without knowing his own daughter.  The two first meet in the Marshes. Magwitch, a convict demands a file and some wittles (food) at the cost of the boys life. Here, Dickens brings the scene to life with his use of aggressive and threatening language. Pip brings Magwitch what he has asked and hopes never to be associated with such a man again. In Chapter 39 his fears are answered.  A guest visits Pip, a snobbish almost gentleman Pip.  Pip is shocked and horrified as Magwitch gradually discloses he is his benefactor, that Jaggers is his agent. Magwitch has risked being hanged just to return to England (After serving time in Australia) to see his creation his gentleman. Pip finds him repulsive but shelters him and gives him Herberts bed. In discovering Magwitch is his benefactor, Pip is faced with his own vanity and gullibility. His life has been guided by fantasy. Dickens uses some cold language during this chapter to show Pips annoyance and grief that Magwitch unintentionally has caused. When I awoke without having parted in my sleep with the perception of my wretchedness, the clocks of the Eastward churches were striking five, the candles were wasted out, the fire was dead, and the wind and rain intensified the thick black darkness. Pip.  Magwitch, on the contrary is happy about his (mirroring Mrs. Havisham and Estella) creation.   , lookee here, dear boy, he said dropping his voice and laying a long finger on my breast in an impressive manner.  By Chapter 42 the relationship of the two has increased somewhat. Pip manages to get Magwitch to tell him and Herbert his life story, and about Compeyson. Although Magwitch reluctantly tells the two friends the story, telling Pip so much, indicates he may have begun to truly trust Pip. By this chapter, Pip is maturing; he is only now becoming a real gentleman. Magwitch may have spotted this, and this could be the only reason why Magwitch told Pip so much.  However, it is only by Chapter 46 that they become more open towards each other. In this chapter, Herbert and Pip decide to use a boat to get Magwitch out of the country. The use of language is friendlier between Pip and Magwitch.  Dear Boy he answered, clasped my hands, I dont know when we may meet again, and I dont like Good-Bye, say Good-Night! Good Night!  The use of exclamation marks is more frequent and the actual dialogue is friendlier.  Chapter 54 is the almost escaped chapter. Magwitch gets captured and the reader now sees there is genuine care for Magwitch from Pip, as he promises never to leave his side. During the journey, Magwitch is strangely passive. This may imply that he is going to miss Pip, and he trusts Pip.  Pips failure to export Magwitch out of country makes him pity Magwitch. During Chapter 56, we notice their relationship at its strongest. Magwitch is sentenced to death for his crimes, but dies naturally before. Pip is at his bedside. Pips and Magwitchs language is solemn, as if with a lump in their throat. They have become good friends. Pips final words Youre daughter is beautiful and I love her is a sweet end to an otherwise bitter life, and more fulfilling than having created a gentleman.  The language and emotions shared between them is one as if theyre father and son, which links with Magwitch said back in Chapter 39 READ: Death Of A Salesman EssayLookee here, Pip. Im your second father. Youre my son more to me nor any son. Magwitch, pg.313 Bottom.  The devotion between Pip and Magwitch shows there is a genuine love between them.  O Lord, be merciful to him, a sinner!  Magwitchs created gentleman has now really become a gentleman.  The grouping of Pip and Magwitch is the only one that actually works as a whole. The grouping/quasi family features qualities that keep the grouping together and functional. The members of group rely and can trust each other, they pity each other and they love each other. As a whole none of the other quasi families feature these qualities and so, can be called dysfunctional.

What Was The New Brutalism Really About Essay Example | Topics and Well Written Essays - 1750 words

What Was The New Brutalism Really About - Essay Example As for the public, they just hate it. The fall-out persists into this century. Before the public can give any large-scale commitment again to architects, a line f mutual understanding has to be drawn under the circumstances which generated the styles and forms f this period. The picturesque architecture f the 1940s and early 1950s is currently enjoying new interest. Its most well-known example is the buildings f the Festival f Britain. This was a national festival put on six years after the end f war, in 1951, which temporarily occupied the area f the South Bank f the Thames directly opposite London's West End. It is considered against the once again popular Ealing comedy, Passport to Pimlico. The Festival buildings embody what's been seen either as a happy marriage or an abominable birth. They are the result f the fusion between two apparently opposed traditions: the rigours f international modernism and the English picturesque tradition, a tradition which implies design first and foremost in terms f the composition f a series f visual pictures.1 In film, there was a broad, and perhaps equally popular equivalent: the Ealing comedy. These quintessentially English films emanated from the Ealing Studio in west London, and were at their best in this period. They epitomise the spirit f post-war Britain and London in particular: a hybrid world where there was a simultaneous longing for radical change and tangible continuity. As if to express this strange contradiction, the comedies feature gangs f lovable robbers, charming and funny murderers and, in the case f Passport to Pimlico, sensible and conventional anarchists. Both architecture and film began to go markedly out f fashion in the second post-war decade. They were replaced with monochrome, and supposedly true-to-life genres: Brutalism's parallel was Britain's version f the New Wave in cinema.2 Angstridden, alienated loners replace chirpy communities. Remorseless realism replaces happy endings. This is both an exploration f parallels between their aesthetics and their preoccupations, and an attempt to cast insight from architecture on cinema and vice versa. The idea f the hybrid is the opposite f the pure. The hybrid straddles two or more classes; its edges are unclear, and difficult to delineate, to draw a line around. The hybrid doesn't have an identifiable, categorisable form. The hybrid obscures the possibility f its reduction to an original set f parts or classes. The hybrid transgresses the edges f established forms. The pure and the hybrid polarise the two tendencies in British post-war architecture. And these two tendencies can be personified in two iconic buildings, the Skylon and Hunstanton School. The Skylon (Figure 1) was a vertical structure built for the Festival f Britain in 1950, and designed by two competition-winning architectural students, Philip Powell and Hidalgo Moya. Hunstanton School, another competition winner designed by Alison and Peter Smithson, was one f the first Brutalist buildings completed six years late, and crucial to Brutalism's identification as a new and challenging style (Figure 2). The presentation drawing shows the Skylon as part f a picturesque composition complete with moody sky, passing boat and Victorian railway bridge. It also shows that it is meant to be

Entrepreneurship Essay Example | Topics and Well Written Essays - 500 words - 2

Entrepreneurship - Essay Example Apparently, there are major pitfalls of entrepreneurship because of entrepreneurs’ insubordinate attitude towards corporate management and their overemphasis on the necessity to be active both at corporate success and failures as to avoid blaming themselves for observed internal weaknesses of the company they are involved in. However, the creative energies of the entrepreneurs provide a lot of benefits to the other shareholders, particularly the consumers and the community. For example, Google is becoming the dominant search engine in the World Wide Web because of few competitors in the field. This situation can be described in economic terms, as oligopoly which is rather disadvantageous to Internet users because of very minimal options to choose from. Entrepreneurs then, being heroic in their standpoint, have the positive and innovative energies to generate other search engines that would vie with Google. The high risk of solvency of a start up business is a reality that no one could challenge. Nevertheless, entrepreneurs have the imagination and the creativeness to turn any challenge to one that is worthy of time and effort. The problem only arises for the entrepreneur when the company achieves high growth and the demand to have people as work partners become inevitable. If that is the case, then entrepreneurs could find new channels where they could pour over their inexhaustible ingenious vigor and consequently aid the development of the local economy. Dan Bricklin’s remarkable story of entrepreneurship is a framework of nature and nurture mishmash. He was born in a family of entrepreneurs and his inventive and daring spirit made the rich possibilities for him to trail a line of technology business venture. As the son of a creative entrepreneur, Dan Bricklin was able to observe the actual running of a business dedicated to printing press. Moreover, his years of academic education endowed him